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Spring 2016 - check out my updated course, Foundations of Digital Audio, at 🤍 HD version of this video and petition to end the Loudness War here: 🤍 Big-name CD manufacturers are distorting sounds to make them seem louder. Sound quality suffers. NOTE: Use headphones if listening on a mobile device. Phones and tablets usually apply their own dynamic range compression on their built-in speakers, which hides the effect of this example. This video was made with image editing software and a screen capture program for the visuals, and a DAW (Digital Performer 4.5) to process the audio. Thanks to everyone for watching! - Matt Mayfield, St. Paul, Minnesota, USA
What is the loudness war in music? In this video, I will explain what the loudness war is all about. The loudness war is something that happened with the introduction of the CD. Music producers realized they could make their music louder than the competition. Louder always sounds better to humans, and by making the music louder, it was believed that people would appreciate the music over the competition. Unfortunately, this pursuit of louder and louder music resulted in the music losing quality, and ending up sounding distorted. You can only make music louder until a certain point before it starts to degrade, and that's what the loudness war is basically all about. The loudness war, in the end, became a very bad thing for music in general. If you are a producer you have probably heard about the loudness war. But what is it exactly? And will it ever end? This video will highlight all the important stuff you need to know about the loudness war. Some people say the loudness war is finally over, but that's not entirely true. It's true that today we are much better off than we were at the start of the loudness war. However, the war is still not officially over, and a lot of music is still suffering from it. Make sure to check out my next video about the loudness war where I will be talking about the end of the loudness war, and what you need to know in order to make sure your tracks sound good after it's finally over. RECOMMENDED STUDIO GEAR: (Amazon links below) AUDIO INTERFACE: ☑️ Focusrite Scarlett Solo: 🤍 ☑️ Focusrite Scarlett 4i4 (3rd Gen): 🤍 REFERENCE HEADPHONES: ☑️ AKG 612 PRO: 🤍 ☑️ Beyerdynamic DT 990 PRO: 🤍 REFERENCE MONITORS: ☑️ 5": Yamaha HS5: 🤍 ☑️ 7": Adam Audio: 🤍 ☑️ 8": Yamaha HS8: 🤍 SUBWOOFER: ☑️ KRK 10S2 V2: 🤍 MICROPHONE: ☑️ Audio-Technica Cardioid Condenser Studio XLR Microphone: 🤍 ☑️ Tonor TC20 Complete XLR Microphone Kit: 🤍 ☑️ Vocal recording booth / stand for microphone: 🤍 XLR CABLES: ☑️ TISINO 35 ft Balanced XLR cable for mic: 🤍 ☑️ Monoprice 6 ft Balanced XLR Cable for monitors: 🤍 SHORTCUT KEYBOARD: ☑️ Backlit FL Studio Shortcut Keyboard: 🤍 As an Amazon Associate, we earn from qualifying purchases. ✔️ VST & Effect Plugins: 🤍 ✔️ Premium Loops And Sample Packs: 🤍 The awesome speaker animation in this video was made by Nikola Botev. Check out his YouTube channel: 🤍 Check out my mixing and mastering tutorials: 🤍 All my FL Studio tutorials: 🤍 FL Studio quick tips: 🤍 ❤️ Support this channel on Patreon: 🤍 ❤️ Support us with a one-time PayPal donation: 🤍 ⚠️ Do you need professional feedback on your track? Mixing or mastering? Check out my gigs on Fiverr: 🤍 Follow FireWalk on social media: 🤍 🤍 🤍 🤍 📧 Other inquiries? firewalk.official🤍gmail.com
Is the loudness war over? What does that even mean? Loudness, dynamics, over-compression, and other buzzwords have dominated the industry for many years. But what does any of it really mean and how does it affect us as Mastering Engineers? Has music gotten louder and less dynamic? Or have our techniques just adapted as music production styles have changed? ABOUT US: We are a high level MENTORING and training program for engineers and producers. Find out more at the link: 🤍 Check out STUDENT REVIEWS HERE: 🤍 Say hi on social: Instagram: 🤍 YouTube Video URL: *Affiliate Disclaimer: Note this description contains affiliate links that allow you to find the items mentioned in this video and support the channel at no cost to you. While this channel may earn minimal sums when the viewer uses the links, the viewer is in no way obligated to use these links. Thank you for your support! Video hashtags: #Mastering #loudness #loudnesswar #dyamics 🤍
I did it. I won. Good luck getting any louder than this. You can all stop this sillyness now. Loudness doesn't matter, just make it sound good. Lots of you requested I release this mix as it apparently "slaps". That means it's good, right? So you should now or soon be able to find it on all the usual platforms, or here on YouTube: 🤍 (You'd better hope the loudness normalisation works!) If you like this type of content and you want to see it more often, consider signing up for Channel Membership: 🤍 Video edited with VEGAS Pro 17: {affiliate link) 🤍
Lecture recorded at the University of Colorado Denver, Recording Arts Program. Mastering & Advanced Digital Audio. Loudness Wars Lecture
Welcome... Link about the Loudness Wars 🤍
In this video, I explain how the recording industry has ruined music for many years and why they call it the Loudness Wars. Here is where you can buy Metallica's Death Magnetic so you can use it as a frisbee: 🤍 // Subscribe New Videos Each Week! 🤍 // Connect 📷 Instagram: 🤍 🎭 Facebook Group: 🤍 🐦 Twitter: 🤍 🤝 LinkedIn: 🤍 🎤 Podcast: 🤍 🎵 Spotify Playlist: 🤍 👕 Grab Your HiFi T-Shirts: 🤍 📧 For marketing/business inquiries, email biz🤍audioarkitekts.com #loudnesswars #dynamiccompression #hifi
Provided to YouTube by Label Worx Ltd Loudness War (Original Mix) · Fukkk Offf Loudness War ℗ Copyright Control Released on: 2019-07-12 Composer: Fukkk Offf, Cult Classique Auto-generated by YouTube.
Subscribe now to Friedemann's Sound Kitchen: 🤍 In this video mastering engineer Friedemann Tischmeyer has collected statements of famous producers like Alan Parsons (Pink Floyd,...), John Fields (Jonas Brothers, Miley Cyrus, Rooney), Niko Bolas (Neil Young, Melissa Etheridge), Richard Dodd (Dixie Chicks...) and further top engineers. It is an invitation targeted to all decision makers in the music industry, like A&Rs, product managers and artists to take responsibility and make carefully considered decisions regarding the degree of compression of todays music releases. Dynamic music lasts longer. The interview excerpts were taken from Alan Parsons´ "Art & Science of Sound Recording" dvd trilogy. Info: 🤍
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Please click here 🤍 for HQ stereo. Radiohead made the stems for the different instruments available with little compression applied I made my own Mix and master so that I can have a more up to date example. So you think In Rainbows sounded good? Well its does compared to many modern albums, as there is no clipping but it has very carefully it has been very heavily compressed which means that while you might not notice immediately anything wrong with it, its only because you don't know it any better, why is this a problem, well for one it shows it could have sounded alot better than it does, and secondly constantly loud grabs your attention but in the long run discourages repeat listening without most people even realising why. Some people have stated this is how the band wanted it, oh so it's just artistic intent that In Rainbows is just as loud as everybody else, FWIW This is how it might have sounded had the song been released about the time as Pablo Honey. It's a shame I couldn't do this to Jigsaw, that would have been awesome!
This was requested. The 1991 CD release against 2011 Deluxe Edition 2 x CD release (which is of course remastered). My ears are not optimized for this kind of music, so you be the judge ;) Flatness, which causes lack of punch/impact, is obvious in the 2011 remaster just by looking at the waveform. The 24-bit 96 kHz release from HDTracks.com: 🤍 ...has similar characteristics as the 2011 remaster you see in this video. What a waste of bits :P
This is a debate that's been going on for some time now. Most people in the know realize that it destroys the transients in music. Many professional mix engineers as well as Master Engineers, have been hoping for an end for while now. But, is the rest of the world ready for that? Let's talk about it!
Here's my Top 10 Reasons Music is Compressed CNET article 🤍 To find out how much your favorite music is compressed check out the Dynamic Range Database 🤍 IF YOU LIKE THIS VIDEO help support the Audiophiliac Daily Show via Patreon 🤍 #audiophiliac #loudnesswar #audiophile
Sirio vs Dj D-tox - Loudness war Label : Neurotoxic / Audiogenic To buy it (Vinyl/Digital) : 🤍 Download from Beatport : 🤍 Download from iTunes : 🤍 For more Audiogenic updates and future releases, be sure to follow us at: - Facebook: 🤍 - Twitter: 🤍 - Website: 🤍 Be sure to subscribe to our YouTube channel here: 🤍
Get the LCast loudness meter featured in the video here: 🤍 More info: 🤍 2012 remasters of "American Idiot" by Green day have more dynamics than the original CD and sound better as a result
The loudness wars, or the war against dynamic range, is still alive and well and that is unfortunate. But, there's hope and Paul helps us understand the beginnings of the loudness campaigns and why they are so prevalent today. Have a question you want to ask Paul? 🤍 I am getting close to publishing my memoir! It's called 99% True and it is chock full of adventures, debauchery, struggles, heartwarming stories, triumphs and failures, great belly laughs, and a peek inside the high-end audio industry you've never known before. I plan a few surprises for early adopters, so go to 🤍 and add your name to the list of interested readers. There's an entire gallery of never before seen photos too.
Do you want to know what the The Loudness War actually is, and means? ✅ Download Free Sounds here: 🤍 ARE YOU READY TO LEVEL UP? How to Sound Design: 🤍 How to Mix Your Music: 🤍 How to Master Your Music: 🤍 How to Compose Epic Music: 🤍 How to Compose Relaxing Music: 🤍 How to Compose Trailer Music: 🤍 How to Compose Action Music: 🤍 How to Compose Scary Music: 🤍 How to Compose Ambient Music: 🤍 How to Compose Emotional Music: 🤍 How to write Cinematic Percussion: 🤍 How to write for Orchestral Strings: 🤍 Master Rhythm & Percussion: 🤍 Master Chords & Harmony: 🤍 Master Melody & Theme: 🤍 THINGS I RECOMMEND: Special Deals on VST Plugins: 🤍 Get your Music Published Online: 🤍 Orchestral Music Mixing & Mastering: 🤍 Hello Composers, Mike here! 😃 ✅ Download Free Sounds here: 🤍 Disclaimer: Some links are affiliate links, which means I get a small commission if you buy after clicking them. Thank you so much for your support! =) Sincerely Mikael "Mike" Baggström Music Composer | Sound Designer
Whatever happened to dynamic range! Where it went...and why it's coming back. A P4A sponsored video from Alan Lastufka.
Manche behaupten, er sei vorbei, andere meinen, er wüte noch immer - der Loudness War ist auf jeden Fall immer noch Gesprächsthema in audiophilen Kreisen. Was es damit auf sich hat und wie es um ihn steht erklärt Igl Schönwitz. 🤍thesoundphile.com 🤍amazingstudio.de #wecardioidaudio #iglschoenwitzsound #amazingstudio #iglschoenwitztutorials HINWEIS: Da wir in unseren Videos Produkte präsentieren, müssen wir sie nach gültiger EU-Rechtsprechung als Werbung deklarieren. Wir wurden jedoch von niemandem für die Videos bezahlt und versuchen, so unabhängig zu berichten, wie es uns möglich ist. Unsere persönliche Meinung wird klar als solche kommuniziert.
Uno "spiegone" su cosa sia la tanto nominata Loudness War. In che cosa consiste e come viene combattuta. Da metà video alcune considerazioni sulle quali riflettere: il passato, il presente ed il futuro della musica . Ne parla Sabino Coppolecchia de " ilMicrofono.it " 🤍ilmicrofono.it Indice 00:00 start 00:40 equivoci loudness e compressione 02:12 cosa è la Dinamica Audio 04:35 cosa è la Loudness War 07:00 è un problema? 07:27 togliere la dinamica 07:35 Domanda e COLPO DI SCENA 08:02 la critica alla musica "moderna" 08:30 la storia della musica 09:30 la musica FORTE 10:00 evoluzione della musica 11:42 facciamoci domande...
In this video, I compare the commercial release of Ben Folds' "Bitch Went Nuts" (from his 2008 album, Way to Normal) with a remix/remaster that I put together using the track's stemsdemonstrating the effect that brickwall mastering can have on the fullness and punchiness of a track. Mine is a preliminary master I'll probably be tweaking my version a bit in the future. At some point, I plan on having all remastered tracks from Way to Normal available on my YouTube channel. Why am I remixing and remastering this album for more dynamic range and better sound quality (especially since that's what Ben Folds' Stems and Seeds release aimed to do)? Because I'm a nerd, and Stems and Seeds wasn't good enough. "Bitch Went Nuts" still requires some tweaking, but I still wanted to include it in this demonstration. What can I say I like the song. :-) Feel free to leave comments below.
Video start with the remastered and then change at each black line. Comparison between the original release of American Idiot and the Remastered version with greater dynamic. The original has a dynamic range of DR5, the remaster a dynamic range of DR9. The louder original release has been reduced to the level of the remastered version.
The SMG Cockblocker gate is 90% GONE! Get yours while they last! 🤍 Someone thinks the loudness war doesn't apply to metal. Apparently he’s never heard Death Magnetic. About Spectre Sound Studios: I'm Glenn Fricker, engineer here at Spectre Sound Studios. I love making records, and after doing it for sixteen years, I want to pass on what I've learned. On my channel you can find tutorials on how to record guitar, bass, real drums and vocals. There's reviews and demos of tube amps, amp sims, drums, mics, preamps, outboard gear, Electric Guitar, Bass Guitar, and plugin effects. We've covered Moon on the Water, played Bias FX, given you the absolute best in Stupid Musician Texts, ranted & raved about bass guitar, and this channel is where The Eagle has Landed. Everything you've wanted to learn about recording Hard Rock & Heavy Metal can be found right here on this channel! I also respond to your comments & questions: The best make it into the SMG Viewer's Comments series of videos. Loads of fun, lots of laughs. Thanks for checking out my channel & please subscribe!
Comparación de Loudness en video: 🤍 Más información:🤍 Artículo Wikipedia:🤍 ►¿Necesitas una distribuidora? Te recomiendo Distrokid: 🤍 ¡𝗜𝗡𝗦𝗖𝗥𝗜𝗕𝗘𝗧𝗘 𝗔 𝗠𝗜 𝗔𝗖𝗔𝗗𝗘𝗠𝗜𝗔 𝗣𝗥𝗘𝗠𝗜𝗨𝗠! ► 🤍 ⬇ 𝗘𝗡𝗖𝗨𝗘𝗡𝗧𝗥𝗔𝗠𝗘 𝗘𝗡 ⬇ Facebook: 🤍 Instagram: 🤍 Sound Cloud: 🤍 Twitter: 🤍 Sitio Oficial: 🤍
1 out of 5 Published 11/1/2009 - Track names and stamps (thank u, Ba Zinga) 00:00 - Glad To Be So Angry 05:40 - Don't Have Time 9:35 - Trapped! 13:36 - 806 21:40 - L'Inconnue de la Seine 27:05 - They Walked By, And Then They Were Gone 31:26 - ISF 35:24 - For Three Days And Nights The Displaced Eyeball Plummeted To Earth 40:14 - Big Jacket 45:42 - (Everything) Will Be Fine (From Now On) Will notes this, "Released simultaneously with Katzenjammer. This album has a darker tone, since I wrote most of the songs while in a rut. I'd just failed my driver's test, had to take it again in a month, hated my driving instructor, and was ashamed of myself in general." Buy his albums, you know the deal.
Lightning Strikes is the sixth studio album by the Japanese heavy metal band Loudness.
The practice of applying excess compression to boost the overall perceived volume artificially progressed exponentially throughout the 90s. By the time we reached the decade's end, there were several notable examples where even non-audiophile listeners began to notice quality issues. Perhaps most famously, Red Hot Chili Peppers "Californication" and Metallica's "Death Magnetic Magnetic" were among some of the worst offenders. Both of these records suffer from extreme compression that sucks the dynamics from the music and the levels into clearly audible digital clipping. In this video, we compare several vinyl copies and talk about the effect of mastering on each. Included in the mix is the 2012 180g cut by Chris Bellman at Bernie Grundman Mastering. Does it sound better? Watch and see. Full article on the importance of mastering and californication:
A short clip showing how loudness war ruins music nowadays. Upper clip is the unmastered version obviously. Song used: Imagine Dragons - Radioactive
Check Out My Music: 🎧 Spotify: 🤍 🎧 Apple Music/iTunes: 🤍 🎧 iHeartRadio: 🤍 🎧 YouTube Music: 🤍 Follow on Twitter: 🤍 Like on Facebook: 🤍 I hate the "loudness war"! The "loudness war" or the "loudness race" was and still is a stupid concept that shouldn't have became a thing. This whole thing is pointless and it needs to end completely.
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ABBA fighting the loudness war. The song is 'One Of Us' from the compilation albums 'Gold: Greatest Hits' & 'ABBA: Number Ones' released in 1993 & 2006 respectively. ABBA lucha la guerra de volumen. La canción es 'One Of Us' por las recompilaciones 'Gold: Greatest Hits' y 'ABBA: Number Ones' de 1993 y 2006 respectivamente. This video was made for a student presentation project and it is by no way intended to be used commercially by the author of the video or anyone else.
Rammstein - Rammlied CD vs. LP from album "Liebe Ist Für Alle Da" (2009) Please switch to 720p for best quality. Good speakers/headphones recommended. Comparison between CD and LP versions of the album. Difference is not as clear as in "Mutter", but still very noticeable. CD version had to be equalized to the same level with LP for reasonable comparison (CD volume in this video is -11,9 dB compared to original!). And finally: this is not a statement about LP (vinyl) being better than CD. Only the CD mastering is done horribly wrong. 🤍 🤍
Michael Jackson - Working Day And Night Comparison between the oiginal 1979 pressing and the 2008 remastered edition
Czy zastanawialiście się kiedyś, dlaczego dźwięk reklam emitowanych w radiu i TV tak drażni? Czy wiecie dlaczego brzmienie niektórych współczesnych nagrań męczy już po kilku minutach? Jeśli spodobał Wam się odcinek, zapraszamy do polubienia naszej strony na facebook'u: 🤍 Jeśli macie jakieś pytania dotyczące tematyki videobloga lub sugestie w sprawie tematów kolejnych odcinków, kierujcie je na: reduktorszumu🤍gmail.com Zapraszamy na stronę 🤍 do zakupu koszulek i gadżetów z logiem Reduktora Szumu. W ten sposób możecie przyczynić się do rozwoju naszego kanału.
They just don't make music like they used to... Massive shoutout to Quinn from Snazzy Labs for hosting: 🤍 Why Someone Bought This Card for $166,100: 🤍 How The Pirate Bay Almost Bought a Country: 🤍 How Marvel Assembled the Avengers: 🤍 The Most Illegal Place on the Internet: 🤍 How Airline Travel Is Safer Than Ever: 🤍 Subscribe! 🤍 Twitter: 🤍 Instagram: 🤍
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This is my groups completed documentary on the Loudness Wars for our Living in a Media World Class at Ex'pression College for Digital Arts.
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![Rammstein - Rammlied CD vs LP [LOUDNESS WAR]](https://i.ytimg.com/vi/oGTUt7S5WhE/mqdefault.jpg "Rammstein - Rammlied CD vs LP [LOUDNESS WAR]")
![Loudness Wars - Odc.24 [Reduktor Szumu]](https://i.ytimg.com/vi/ydg-ajN1u9o/mqdefault.jpg "Loudness Wars - Odc.24 [Reduktor Szumu]")
