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Secrets of How The Pros Use EQ - Parametric, Graphic and Filters on All Instruments. Where The Sweet Spots Are On All Instruments. In this video I will show you how all types of Equalizers. The great Boost and Cut sweet spots of all the Individual Drums, Bass, Guitars, Piano, Organ and Strings. I discuss all my favorite Analog and Digital EQ's: Neve 1073,1066,1084 and 1081 API 550A, 550B, 560 Pultec EQP- 1A, MEQ5 GML 8200 Electrodyne 511, Quad Eight 310 Trident A-Range Helios Type 69 SSL E and G Series EQ Digital EQ's: MCDSP Filter Bank E606, F202,P606 Metric Halo Channel Strip Waves - Q10, Scheps 73, Renaissance EQ, SSL, API, V-EQ4, H-EQ Hybrid Universal Audio - Cambridge EQ, Pultec, Neve, Helios, Harrison, Neve 31102, Trident SoundToys - Filter Freak FabFilter Pro Q2 Links To Follow: THE BEATO EAR TRAINING PROGRAM: 🤍 BUY THE BEATO BOOK HERE → 🤍 BECOME A PATRON → 🤍 SUBSCRIBE HERE → 🤍 Skype Lessons are available on a limited basis. If you are interested please write me at rickbeato1🤍gmail.com If you would like to support my video creation, you can hit the SUPPORT button on the sidebar of my main page YouTube - 🤍 Artist Facebook -🤍 Personal Facebook - 🤍 Instagram - 🤍 Follow On Twitter - 🤍rickbeato 🤍nuryl.com 🤍rickbeato.com
Compare Wrong EQing Used by Many with Top Mixing EQ approach based on Critical Thinking. This Amazing Mixing Tutorial will change how you use an Equalizer. To Attend a free trial Class of this Mixing Course online send email to: mixingcourse🤍andrewzeleno.com In This Video We Will Talk About: Before explaining a unique Critical Thinking Approach for EQ, we will check how majority of Beginners and intermediate Mixers start EQing and why it's wrong approach. We will check Sweep EQ Technique and why people using incorrectly. We will listen to many famous Plugins and their presets like UAD Pultec EQ, Universal Audio API Vision Channel Strip, BX SSL 4000E, Brainworx SSL 4000G, Solid State Logic Native 2 Channelstrip, BX Console Neve which 88RS style Console, FabFilter Pro-Q3, Cubase Studio EQ stock DAW EQ and more. I will explain why they don't work for our project. We will discuss why applying instrument-specific Curve doesn't always work for an instrument. Most importantly I will show you other 3 steps which any serious mixing engineer should take while EQing. We gonna be using scientific approach and we will measure everything with Voxengo SPAN Plus Frequency Analyzer. We will measure Harmonics, and body Resonances, string noise, Piano Hummer Noise with their Overtones. We will think about things like muddy, honky, bright, harsh, sharp, boomy, dark sound. We will talk about masking effect for Frequencies. We will lean stuff on EQ's Bell and Shelf Filters that majority of people don't know. I recommend to watch these videos: 1) Sweep EQ Technique Used Wrong by Many Mixers 🤍 5) Mind-Blowing Mixing Mirror Frequency Effect 🤍 3) Mixing for Beginners - Amazing Tutorial on Misconceptions 🤍 4) The Most Advanced Kick and Bass Mixing Technique (T and S) 🤍 5) New Groundbreaking Mixing Technique (Transient and Sustain) 🤍 Videos on this Channel is Only a Light Addition to the Audio Production, Music Production and Audio Mixing Course from Top Ranked Audio Engineer/Producer (Official Status Based on Official Home Country Classification) Andrew Zeleno, Guru of Mixing by Sonarworks. Besides The Most Full and Advanced Theory Only for Getting Real Results, You Have Classes With Home Works Checking, Where Your Project Will Be Compared to the Best Sounding Songs of All Time Made by Top 20 Audio Engineers. We make Your Products Sound at the Same Level of Audio Quality Online and in Real Time. Also, the Teacher Doesn’t Shoot Videos Like Others But Takes Responsibility and Makes You a Professional in Audio Production Leading You from Beginning to the End. You Even Can Choose Your Own Projects in Any Genre. For Getting the Highest Possible Skills and Getting a Place in Pro Music Industry, Attend this Course. During 9 Months Online Course, You will Be Formed as a Professional Audio Engineer Even If You Are a Complete Beginner. Mixing, Mastering, Recording, Sound Design, Editing, Studio Setup, Post Production, Philosophy, Instruments, Easy Music Theory, Ear Training, Professional Approach, Different Music Genres. How to Mix Vocal. How to Mix a Song. How to Mix Drums. How to Apply EQ. How to Apply a Compressor. How to Make Mastering. How to Write Music. How to Make Beats. How to Become a Beatmaker. Vocal Mixing. Drums Mixing. How to Record and Mix Guitars. Guitars Mixing. Absorption in Recording Room. Acoustic Treatment for a Control Room. Pro Tools Logic Pro Cubase Nuendo FL Studio Ableton Live Studio One Reaper Native Instruments Waves Softube Slate Digital DAW The Best Plugins 240 Andrew Zeleno Course Reviews: 🤍 Andrew Zeleno Credits: 🤍 Andrew Zeleno Course Information: 🤍 #eqing #tutorial #mixing #eq #sweepeq #mixingtutorial #mixingtips #presets
FL Studio 20 End Of Year SALE - 🤍 55% OFF for new customers and up to 82% OFF for upgraders! Like my mic? Get it here: 🤍 This tutorial will teach you the fundamentals of EQ or Equalization using the Parametric EQ 2 in FL Studio 12, and how to EQ, carve or shape any instrument or sound to your liking. This knowledge can be transferred to just about any equalizer in any DAW (Digital Audio Workstation). 00:28 - Introduction to Frequencies 00:42 - What is the Frequency Spectrum? 01:21 - Where Sounds or Instruments Live in the Frequency Spectrum 02:11 - Example #1: Kick Drum 02:56 - Example #2: Clap 03:18 - Example #3: Hi-hat 03:42 - Example #4: Bassline 03:56 - Example #5: Pluck 04:16 - What is EQ or Equalization? 04:31 - Uses of EQ 04:54 - Compression Tutorial 05:01 - Fruity Parametric EQ 2 - 7 Band Equalizer 05:09 - What are Bands? 05:16 - Band Properties 05:21 - Frequency 05:29 - Amount 05:49 - Shape/Type 06:42 - (Breasts) 08:17 - Bandwidth, Resonance or "Q" 09:05 - Order (Steep vs. Gentle) 10:08 - Recap of Band Properties 10:46 - EQ is an ART! 11:14 - EQ Example 11:50 - Targeting and Cutting a Resonating Frequency 12:20 - A/B Compare 12:42 - Low Cutting Frequencies 13:19 - Make-up Gain 14:12 - Practice, practice, practice! Questions or comments? Leave them below and I will be happy to help. Tutorial requests for future videos? Let me know!
There's an art & science to using mastering EQ that few understand. But just because mastering seems mysterious doesn't mean it has to be hard. Justin Colletti shares how to use the mastering engineer's most powerful tool. Big thanks to FabFilter for helping to make this one free to the public. Try out anything they make for free for 30 days at 🤍 Learn more about mastering from Justin at 🤍 Or try a free intro workshop at 🤍 Thanks to the artist Woodz Deep for allowing us to use their track "Sun Shining". Check them out here: 🤍 🤍 Thanks also to the band Sebastapol for allowing us to use the track "Animals". Check them out at 🤍 #mastering #eq #audioengineer #audiomastering #musicmastering #musicproducer #musicproduction #equalizer #proaudio
In this tutorial, we're covering the use of EQ on EVERY instrument in a large instrumental mix, start to finish! 🔊 Videobolt Music Visualizers: 🤍 🏷 10% Off Discount Code: SEANDIVINE Many thanks to Videobolt.net for sponsoring this tutorial and providing an awesome creative tool 👍 ►DAW Presets & Templates: *NEW* Divine Mixing Vocal Chains LE (Logic Pro X): 🤍 Divine Mixing Vocal Chains V3 (Waves Plugins): 🤍 Divine Mastering Chains (Waves Plugins): 🤍 Divine Mixing Template One (Logic Pro X, Cubase & Pro Tools): 🤍 ►Video Training Courses: Divine Beat Mixing (Mixing & Mastering Course): 🤍 Divine Mixing Session 1 (Mixing & Mastering Course): 🤍 Divine Mixing Session 2 (Mixing & Mastering Video Course): 🤍 Hip Hop Vocal Production (Lynda.com Course): 🤍 ►My Studio Gear 🤍 ►Let's Connect 🤍 Instagram: 🤍 Twitter: 🤍 Facebook: 🤍 Soundcloud: 🤍 Disclosure: My videos contain affiliate links to products and services I use and recommend. I may receive a small commission on sales through these links, at no additional cost to you. I appreciate your support as this helps me continue to create content for the channel!
Hi, You Suck at Mixing and I’m Underbelly. As we just saw, order matters. And no order is more important than the order in which you place your EQ and compressor. In today’s lesson, we’re gonna learn which order will provide the sound that you’re looking for. Let’s get started. More You Suck at Mixing: 🤍 Listen to my track 'Wonk' on Below The Surface's compilation: 🤍 Become a supporter on Patreon: 🤍 Listen to Underbelly's Official Releases: 🤍 Join my Discord: 🤍 Follow Underbelly: 🤍 🤍 🤍 🤍 🤍 THANK YOU TO MY TOP PATRONS: Zhu Myles Wojciech Gene Rowan Liam Yamen Alex Todd YOU GUYS ARE THE BEST About Underbelly: Trained in classical piano since the age of 7, Underbelly started producing electronic music when he was 14 and teaching online when he was 17. His YouTube Channel, You Suck at Producing, now has over 85,000 subscribers. His tutorials and original productions have been featured in publications such as DJ Tech Tools, Earmilk, NEST HQ, Pyramind, and more. He has toured internationally and supported artists such as Lido, Tchami, Keys N Krates, Sango, and Giraffage. He uploads new tutorial videos every Thursday and does a livestream every Sunday. You can submit tracks for the livestream by joining his Discord.
In the EQ series, Jonathan speaks about various aspects of using EQs and their effect on mixing. Video no. 1 explains the difference between the fundamental frequency and subsequent harmonics and demonstrates what happens when we boost each of them. The Mix Helper Jonathan Gendler J-Tone Studios - 🤍 A proud member of Mastering Alliance 00:00 Opening 01:09 Theory of fundamentals and harmonics 07:26 Demonstration
Is there a better way to EQ? Justin Colletti thinks so. This easy to implement approach beats aimlessly sweeping through your EQ any day of the week. You can get better sounds with this simple 3-step trick immediately....and take a lifetime to master all the potential it has to offer. ►Get the free mastering workshop: 🤍 ►Get the free mixing workshop: 🤍 ►Win free stuff at 🤍 ►Subscribe to the podcast or leave a rating and review here: 🤍 Don't have time for the full video? Here's the tip: Don't sweep your EQs. Determine what, if anything, needs to change before you go sweeping. Type them in if you're in a plugin. Grab the knob if you're on hardware and make your best first guess. Don't EQ aimlessly. Have a purpose. Define the area that needs to be changed and why before you touch a thing. Don't know your frequency ranges? Here's how to learn them. More details on the whys and hows in the episode here. Want more like it? Try out full length courses: Mastering Demystified 🤍 Mixing Breakthroughs 🤍
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➡️➡️Learn more about Drum EQ Basics here: 🤍 ➡️➡️Download the multitracks here: 🤍 In today's video we will be going over Drum EQ Basics! We also have the multitracks for you to download, so you can follow along and mix them yourself! EQ is one of the most powerful things you can do to make a drum kit jump out of the mix. Today, we will using a very simple drum recording: there are two kick drum mics, two snare mics, a hi-hat, rack, floor tom mic, overheads, and a stereo room. I will be showing you how to get really quick, simple results from nearly any type of drum recording. First, we will be working on the inside of the kick drum. This one is a little bit clicky as it is picking up some of that snappiness of the beater hitting the head. Let’s apply a stock EQ plugin to get us started. Most of you know the principle of finding ugly areas and getting rid of them. To do that I am going to make the Q narrow and give it a boost, and once I find that ugly area, I will widen the Q. With that wide Q, I am going to do the opposite and cut that, which gets rid of some of that unwanted excessive bleed that you hear, as well as getting rid of that ugly mid range. Now, I am going to cut and widen it a bit more, and this cut exaggerates the clickiness more and that low thump below. Even on a kick drum, high-passing is not a bad thing, so I am going to make the slope a little bit more aggressive here. With EQ, we often do compression, reverbs, delays, and more, but many of you have asked me to keep it simple! Watch the video below to learn more about drum EQ basics and see the changes I made to get this cleaner sound! ❤️My Favorite Plugins: ➡️Leapwing Audio: 🤍 ➡️Waves MV2: 🤍 ➡️Waves RBass: 🤍 ➡️Renaissance Vox: 🤍 ➡️Renaissance Compressor: 🤍 ❤️GEAR: ➡️Stealth Sonics: 🤍 ➡️UK Sound 1173: 🤍 ➡️$299 Kali Audio Studio Monitors: 🤍 ➡️Apollo x16: 🤍 ➡️Apollo Twin: 🤍 ❤️❤️Free 3 Part Mixing Course: 🤍 Sign up here to get exclusive videos and content 🤍 #ProduceLikeAPro #HomeRecording #MixingDrums Giveaway Winners: 🤍 Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget.
Kick drum and bass are two of the most important elements in any mix. If they don't sit right, the whole mix doesn't sit right. So what can you do to ensure they have maximum impact when mixing or producing? Justin Colletti shares the most important frequency ranges to know for EQing kick and bass, and for getting them to sit right in the mix. See free audio tutorial videos with Justin here: 🤍 ►Get Mixing Breakthroughs here: 🤍 ►Get Mastering Demystified here: 🤍 ►Get the free mastering workshop: 🤍 ►Get the free mixing workshop: 🤍 ►Win free stuff at 🤍 ►Subscribe to the podcast or leave a rating and review here: Apple: 🤍 Spotify: 🤍 #audioengineer #kickdrum #bass #EQing #mixingengineer #musicmixing #hearing #listening #musicproducer #mixingengineer #compression #compressionandlimiting #DAW #parallelcompression #audiomixing #musicproduction #mixing #mix #EQ #reverb #mastering
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Download Your Free Music Production Handbook Now: 🤍 Earn Your Music Production Degree Online with Berklee: 🤍 Equalizing, also known as EQing, is the term given to manipulate the sound of your tracks by choosing what frequencies to prioritize. In this video by Berklee Online instructor Kevin Doucette, you’ll learn how to use a high-pass filter, a low-pass filter, high or low shelf; but most importantly, you’ll learn about the importance of the EQ and why you should definitely learn how to use it if you want a clean and well produced track. This video comes from the Berklee Online course, “Producing Music with Cubase,” by Kevin Doucette. Learn more about this course: 🤍 ABOUT KEVIN DOUCETTE: Kevin Doucette is a Berklee Film Scoring alum who is the West Coast product specialist for Steinberg’s Cubase. He frequently gives master classes, clinics and demos at some of Los Angeles’ top studios and production facilities such as Remote Control Productions (Hans Zimmer), Warner Brothers, Music and Motion Productions and Westlake Pro. He has a vast amount of experience in film composition, song and remix production as well as invaluable music and entertainment industry experience. Primarily, Kevin is a film, video game, and TV composer and has worked on a variety of projects including “Pele,” “The Legend of Hercules,” “The Hundred Foot Journey,” “Million Dollar Arm,” and ABC television shows. In addition to his frequent collaborations with A.R. Rahman (Oscar-winning composer for “Slumdog Millionaire”), Kevin spent the past few years collaborating with Intel to create new forms of music creation and performance. About Berklee Online: Founded in 2002, Berklee Online is the premier innovator and largest provider of worldwide music education, offering the renowned curriculum of Berklee College of Music at a fraction of the cost through award-winning programming and instruction. Contact an Academic Advisor today: 1-866-BERKLEE (US) 1-617-747-2146 (international callers) advisors🤍online.berklee.edu 🤍 🤍 🤍 Cubase | Steinberg’s Cubase | Music Production | DAW | Digital Audio Workstation | MIDI | Mixing | Music Mixing | Kevin Doucette | A.R. Rahman | Slumdog Millionaire | Hans Zimmer | Berklee College of Music | Berklee Online
In this episode I'm balancing techno kick and bass using only EQing and a little bit of compressor but no side chaining. Hope the tutorial will give you insight in how to balance the low end of a techno track. The loops can be found on the Sample Stream page: 🤍 This video's main purpose is to help my students who are following the mentorship program. I'm using: Ableton Live 🤍 Softube Console 1 🤍 If you have any questions, please put them in the comment section below. More videos will follow soon so if you’re new to the channel please feel free to like the video, hit that bell button and subscribe! Thanks for watching! #techno #kick #bass #technokick #technobass
Get Your FREE Copy Of The Ultimate EQ Cheat Sheet at 🤍 Join the all new Facebook community here: 🤍 Today we're taking a look at a common mistake I see a lot of people make when EQing and how you can improve your mixes by fixing it!
In this illustrated podcast, Canadian producer and educator Mat Gendreau shares his Top 5 Tips on processing reverbs to fit with your song tempo and to avoid overpowering a mix. Chapters 00:00 - Introduction 00:21 - Treating Reverb As A Track 00:53 - Tip 1: EQ Your Reverb 04:38 - Tip 2: Adding a De-Esser 08:05 - Tip 3: Changing Reverb Tonality 09:50 - Tip 4: Adding A Gate 13:22 - Tip 5: Delaying A Reverb 15:47 - Ending Presenter: Mathieu 'Mat' Gendreau - Biog Mat Gendreau is a Canadian-born and Philadelphia-based music producer, composer, recording artist, label owner and educator. He is the founder and program director of the Rowan University Bachelor of Science in Music Industry in Glassboro NJ, USA, and he records under the names JAXX DE LUXE, Expo 67 and Plastic Operator (with bandmate Pieter Van Dessel). While graduating with an MA in Audio Production from University of Westminster in London, Gendreau cut his teeth as an in-house engineer at Mute Records in the early 2000s, He was also the main studio engineer for producer Arthur Baker. Over the years his music productions have been released by labels such as EMI, Mute, Virgin, Sony, Tommy Boy, Ministry Of Sound and Universal, and he’s worked with many artists including Lenny Kravitz, Goldfrapp, New Order, Arthur Baker, Tommie Sunshine, CLIENT, Erasure, King Britt and Josh Wink. His band Plastic Operator caught the attention of BBC Radio 1 DJ Rob Da Bank with the song "Folder" in 2005 and the single was signed to Sunday Best Recordings. In 2007, Mathieu launched his own label, Fine Day Records, and released Plastic Operator's album "Different Places" to critical acclaim. The band performed live in many of Europe's largest clubs, events and festivals including Bestival (Isle of Wight), Razzmatazz Club (Barcelona), Petrol, Culture Club (Belgium) and Paris Fashion Week. Mathieu has produced numerous remixes, including "Chains of Love - Plastic Operator remix" for chart-topping band Erasure (Mute/EMI). His club smash hit Booka Shade vs. Plastic Operator “I Won’t Back Down” was released on Ministry of Sound/Hed Kandi. In 2018, under his house music moniker JAXX DE LUXE, Mathieu signed to legendary house music label Nervous Records with the single 'I’m Taking You High – Feat. Aphra'. Later that year his JAXX DE LUXE remix of Lenny Kravitz's 'Low' was part of a remix package that pushed the single to Number 1 on the Billboard Dance Music Chart. Another of his recent efforts as a recording artist is a downtempo instrumental electronica project under the name Expo 67. The Expo 67 EP Never Without You was released on Fine Day Records / SONY The Orchard in 2019. His work as a composer has been featured in films and videos, television programs, advertisements, and video games for Ubisoft, Autodesk, MIT, WYBE, Coca-Cola, Radio-Canada Television and the British Academy of Film and Television Arts (BAFTA) Games Awards. Rowan University Music Industry Program: 🤍 JAXX DE LUXE: 🤍 Expo 67: 🤍 Plastic Operator: 🤍 Discography: 🤍 About The Recording & Mixing Podcast Channel On this channel you’ll find shows packed with hints and tips about getting the most out of the recording, mixing and mastering process. Find more shows at 🤍 ............................................................... Subscribe! 🤍 Visit 🤍 Like Sound On Sound: 🤍 Follow Sound On Sound: 🤍 Follow Sound On Sound on Instagram: 🤍soundonsoundmag
This video is an in-depth look at post-production EQ for dialogue. This could be for a podcast, voice over or YouTube video where you want the audio to sound professional. I will be breaking down the frequency spectrum into 6 zones to keep the video focussed. These zones should be used as a guide only and will have to be adjusted to your dialogue or voice. I would never suggest copying exactly what I do and I hope you use your ears to guide your final EQ choices. These techniques work with condenser and dynamic microphones and with all room sizes. ►Timestamps 0:00 - Intro 1:10 - 0Hz to 50Hz 2:10 - 50Hz to 200Hz 6:40 - 200Hz to 600Hz 9:00 - 600Hz to 4kHz 10:00 - 4kHz - 8kHz 12:00 - 8kHz+ Room modes calculator: 🤍 Edit: The bandwidth control on the analog style EQ does not actually affect the low boost I was doing. I set it before listening so wasn’t really aware. Note - sometimes you should read the manual before turning dials randomly! 🌍 My Website / Contact / Hire me - 🤍 🎧 Become a member of this channel: 🤍 🎧 Patreon (Exclusive benefits): 🤍 🎧 My Sound Banks / Preset Packs - 🤍 📱 Join My Free Discord - 🤍 💸 Save money on DistroKid if you sign up through my custom link - 🤍 In this video I am using DT 1990 Pro headphones.
Sign up for the 7 Steps to Pro Mixes Workshop: 🤍 Want to learn how to get that professional bass sound? By the end of this video you're going to understand exactly how to EQ your bass so that it fits into your mix perfectly. Learn more about mixing bass here: 🤍 #EQBass #HomeStudio #HomeRecording
Get access to the Free Drum Mixing Cheat Sheet: 🤍 Let's face it... The kick plays a vital part in most genres. Sometimes you have to make it sound aggressive and punchy... Other times, wide and fat... Whatever genre you're working with, getting the kick right is a vital element of creating a professional, radio-ready sound. So, if you want to learn how to eq kick drum like a pro, watch now, because you're about the learn the simple 3 steps technique for kick drum EQ that works in ANY genre, and with any kick.
Bloated bottom-end never sounds good, yet it’s almost inevitable if you’re combining sounds rich in bass content. Find out how EQ can help. For more on creating and mixing kick drums, check out issue 286 of Future Music: 🤍
Shop the kick drum microphones featured in this video at Sweetwater 👉 🤍 More videos like How to EQ a Kick Drum 👉 🤍 If you‘re wondering what video gear we use, check it out 👉 🤍 In this video, Sweetwater‘s Nick D‘Virgilio demonstrates just one of countless ways you can EQ a kick drum to achieve the booming, punchy results you seek. What are your favorite methods for recording and EQing kick drums? Leave it in the comments! After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! 👉 🤍 #Sweetwater
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Kick and bass can be the most difficult things to get right in a mix. Subscribe to LANDR on YouTube: 🤍 In this video, I’ll show you some of the best ways to EQ kick and bass to get the low end you’re looking for. Before we start, the specific EQ frequencies we’re using in this video are just starting points. As always you have to use your ears to determine the best ranges to apply EQ. Beginner and intermediate producers almost always underestimate the effects of their listening environment. You could perfect your mix in a bad sounding room—only to realize that it’s completely wrong when you hear it in a different environment. Your low end is particularly affected by your mixing room. But there are a few things you can do to make sure you’re judging your bass frequencies as accurately as possible: Mix reference as often as you can: Referencing different tracks in different environments will help you get an idea of where the biggest flaws are in your room. Use good open headphones to check lows: If you know your room is flawed, a good pair of headphones can go a long way to help you make mix decisions. If you have a good idea of what frequencies are problematic, you’ll know to be careful when EQing them. When you first start mixing with EQ, it seems like you could just boost the low end to get that powerful bass you’re looking for. Too much low end energy in the mix can actually make your tracks sound weaker. All speaker systems have a limit of how low they can go. If there’s a lot of sonic information at a lower frequency than a speaker can play, it will struggle—and fail—to reproduce it. If your kick or bass instruments have too much sub bass, you’ll need to use a hi-pass filter to reduce it. By bringing up an EQ on this bass track I can see right away that there’s a lot happening at very lowest frequencies. I’ll start with a 48 db/octave low cut at 30 Hz. The timbre of the bass hasn’t changed at all, but I can already hear a bit of a tightening effect when I add the kick back in. I’ll gradually move the frequency of the hi-pass filter up until I start to hear a negative change in the sound of the bass. It’s actually best to do this with your eyes closed since the visual feedback from an EQ can affect how you judge low end. I’ll backtrack a bit right as I start hear the body of the bass get weaker . That should be a pretty good spot for the high-pass filter. Sculpting EQing a track is like putting together a puzzle. You have to shift things around to make space. For your kick and bass to punch you need make space for them in the mix. The inverse is also true. If your mix doesn’t have the right space for your bass, you’ll never get the beefy sound you’re looking for. Example: This kick drum sounds great solo’d, but I can tell that it’s fighting the other elements when I listen in the mix. The low-mids is especially congested. To deal with this, I’ll carve out some of this area in the kick to let the rest of the mix sit. I’ll start by sweeping a fairly tight Q, -10 db cut in the 200-500 Hz range. As I sweep my EQ band I can hear the other mix elements becoming more clear right around 300 Hz, so I’ll park the filter here. Lows are the foundation of great kick and bass tracks, but that’s not all there is to the story. “Big” and “punchy” kicks and basses often have a lot going on in other frequency ranges. Experiment with EQ in ranges other than the low end to find which frequencies bring your kick and bass into focus. As I’ve been EQing I’ve noticed that the kick lacks the presence it needs compete with the rest of my mix. I’ll take another EQ band, but this time a more bell shaped 6dB boost. Sweeping from 1kHz-5kHz, I can hear the point of the kick pop out at about 2kHz. In the mix, this gives my kick a ton of authority and provides nice separation from the bass. In some cases, adding a bit top end detail can bring out the articulation in the bass. I’ll check it out by sweeping an even gentler broad Q boost around the high end—listening from about 5k-10k. With this bass sound, there’s not a lot going on in the top end, so I won’t bother boosting any frequencies here. That’s why you always have to rely on your ears first to find out where to add EQ. General guidelines can be helpful, but they may not always be perfect. Make sure to decide for yourself in the context of your own tracks. - Learn how to get kick and bass sitting right in your mix: 🤍 Try LANDR for free: 🤍 Subscribe to LANDR on YouTube: 🤍 Follow the LANDR blog and get the best tips, tools and tutorials for producers: 🤍 Instagram: 🤍 Facebook: 🤍 Twitter: 🤍 Spotify: 🤍
Learn HOW TO EQ VOCALS with this SIMPLE 3 Step Formula for EQing Vocals to sound CLEAR, PROFESSIONAL & SIT IN THE MIX. For the best picture & sound quality, watch this video in HD over here: 🤍 Sign up for my Vocal Production MiniCourse to get some of my BEST trainings on producing great sounding vocals, including my Vocal EQ Cheat Sheet which shows you the KEY frequencies to focus on while EQing your vocals, click this link to sign up now: 🤍 Enjoy! Rob rob🤍prosoundformula.com The Lazy Man's Quick Jump Guide... How To Eq Vocals: 2:48 'What You Will Need' 3:28 Step 1: 'The High Pass' 5:31 Step 2: 'The Top Shelf' 7:38 Step 3: 'The Sweep' Some Final Tips For EQing Your Vocals... 10:14 How To Get An 'Edgier' Vocal Sound 12:21 What To Do If Your Vocal Isn't Sitting In The Mix... 13:40 3 Step Formula Overview
I'm Jon Sine a House DJ and music producer making daily videos. Listen to the full songs used in this video: 🤍 ✓ Subscribe: 🤍 ➥➥➥ LIST OF MY EQUIPMENT ➥➥➥ ▶ SUPPORT & REWARDS Get cool rewards and support the channel on Patreon ⇢ 🤍 ▶ LISTEN TO MY MUSIC ⇢ Spotify: 🤍 ⇢ SoundCloud: 🤍 ▶ T-SHIRTS & MORE 🤍 ▶ FREE SOUNDS & SAMPLES 🤍 ▶ MY SOCIALS Spotify: 🤍 SoundCloud: 🤍 Snapchat: jonsine - 🤍 Twitter: 🤍 Instagram: 🤍 Facebook: 🤍 ▶ MY RECORD LABEL AXSENS DEMOS: 🤍 YouTube: 🤍 SoundCloud: 🤍 Facebook: 🤍 Instagram: 🤍 Twitter: 🤍 ▶ TRACK SUBMITS send me your music to get feedback: 🤍 ▶ BUSINESS CONTACT Contact: hello🤍jonsine.com Booking: booking🤍jonsine.com ▶ MIXING & MASTERING 🤍 ▶▶▶ MY EQUIPMENT ◀◀◀ use these links to directly support the channel ● Studio Hardware: ⇢ Big LG Screen: 🤍 ⇢ Speakers: 🤍 ⇢ Best Headphones: 🤍 ⇢ Super cheap alternative: 🤍 ⇢ Best Soundcard: 🤍 ⇢ Old soundcard: 🤍 ⇢ Good cheaper soundcard: 🤍 ⇢ Microphone: 🤍 ⇢ Full size Keyboard: 🤍 ⇢ My Computer: 🤍 ⇢ Trackpad: 🤍 ⇢ Keyboard: 🤍 ⇢ Backup Harddrive: 🤍 ⇢ Chair: 🤍 ● Studio Software: ⇢ Best for mastering: 🤍 ⇢ Best for mixing: 🤍 ⇢ Best for Vocals: 🤍 ⇢ Native Instruments Komplete: 🤍 ⇢ Arturia V Collection: 🤍 ⇢ Waves Platinum: 🤍 ● Camera Equipment: ⇢ Camera: 🤍 ⇢ cheaper good alternative: 🤍 ⇢ Selfie Stick: 🤍 ⇢ Wide Lens: 🤍 ⇢ Mic: 🤍 ⇢ smaller alternative Mic: 🤍 ⇢ Small LED light: 🤍 ⇢ Big Tripod: 🤍 ⇢ Spinning Timelaps Thing: 🤍 ⇢ My old Camera: 🤍 ● DJ Equipment: ⇢ DJ Headphones: 🤍 ⇢ Mixer: 🤍 ⇢ CD-Player: 🤍 ⇢ CD-Player cheaper alternative: 🤍 ⇢ Best DJ USB sticks: 🤍 ● Other Stuff: ⇢ Best wireless Earbuds: 🤍 ⇢ Sunglasses: 🤍 ⇢ Good home listening speaker: 🤍 ⇢ Smaller version: 🤍 ⇢ Scratch Off World Map: 🤍 ⇢ Backpack: 🤍
just a gregular day on stream supporting me on patreon.com/andyothling helps me continue to stream and make music, and in return you get all of the music we make on stream! how cool is that Andy Othling Socials: Twitch - 🤍 Bandcamp - 🤍 Discord - 🤍 Twitter - 🤍 Instagram - instagram.com/andyothling pedals on this dang thing: boomerang iii phrase sampler chase bliss preamp mk2 keeley compressor pro ehx tri-parallel mixer -old blood noise sunlight + old blood noise dark star -meris ottobit jr. -demedash t-120 strymon el capistan pladask matrise matrix mixer -chase bliss mood + chase bliss/cooper generation loss -chase bliss blooper -ehx superego + old blood noise flat light strymon iridium chase bliss condor hologram microcosm meris polymoon chase bliss/meris cxm 1984
Check out our complete video course on the Midas M32 at 🤍 Get your free Backstage Toolkit at 🤍 Audio Engineer David Wills’ (Michael Jackson, Whitney Houston) personal toolkit developed from over 30 years in the business. Perfect for any Musician, Audio Engineer or Music Producer. The kit includes our EQ Cheat Sheet, Live Sound Checklist, Mixing Tricks, Compression Chart & Interviews by Grammy Award Winning Engineers. Thanks for checking out ProAudioEXP's channel! Please SUBSCRIBE and tap the bell to get our new videos in your feed! David Wills PS: If you want to know what is inside the training we've put the outline below. INTRODUCTION Overview of Console Front Panel Overview Navigating around the screens Rear Panel Overview MIXING 101 What do mixers do? What is the signal flow? Subgroups Aux sends Effect routing Pre-Fader vs. Post Fader Aux Sends EQ types Dynamic processing INPUT CHANNEL Initializing the Console Setting Levels Phase Switch Low Cut Filter Panning EQ Dynamics Mute Groups Presets EQ Examples Scribble Strip ROUTING Overview Effects Mix Busses (Aux sends) Effects Sends Editing Effects Subgroups Bus Configuration DCA Groups Matrixes Sends on Faders EFFECTS Basic Effects Operation Signal flow Selecting Effects Editing Effects Saving Effects Using the Graphic EQ WORKFLOWS/TIPS Live Mixing Studio Mixing DAW Mixing SYSTEM SETTINGS GRADUATION
Shop our online vocal mixing course The Art Of Vocal Mixing: ➡️ 🤍 Suggestions for EQing kick drums! These numbers are not absolutes & will be different between each song & sample! If you'd like a more in depth video on bus compression, you watch that here ➡️ 🤍 SoundOracle.net Realistic is a Producer/Engineer located in Atlanta, GA specializing in Hip-Hop, R&B & Pop music. Realistic has been involved in the music industry for over 15 years with an AAS in Music Production/Audio Engineering. He has worked on projects for Musiq Soulchild, NBA 2k, Skyzoo, BJ The Chicago Kid, Ayo N Keyz, Billboard Hitmakers, Atmosphere, Brother Ali, Rhymesayers, Hamburger Helper, & Pharaoh. ● Get More Great Tips + Updates - Subscribe ➡️ 🤍 ● Share this Production Tutorial Playlist ➡️ 🤍 JOIN MY UNQUANTIZED PODCAST COMMUNITY: Don't miss out Unquantized Podcast Live & Interactive by 🤍soundoracle + 🤍triza starting at 4pm every Friday 🤍IG !!! 🤍 ● YouTube: 🤍 ● Instagram: 🤍 EXPLORE OUR BUNDLE DEALS: ● THE ORACLE TOTAL BUNDLE: 🤍 ● THE ORACLE PACK BUNDLE: 🤍 ● THE COSMO BUNDLE: 🤍 ● THE RECKLESS BUNDLE: 🤍 ● THE TRILOGY BUNDLE: 🤍 FOLLOW ME: ● Instagram: 🤍 ● Twitter: 🤍 CONNECT WITH Realistic: ● Website: 🤍 ● Twitter: 🤍 ● Instagram: 🤍
In the second part of the series, Joe Carrell continues to break down his hybrid workflow, showing you how to use EQing and stereo widening, after applying saturation and compression to subgroups and stereo masters. Watch the episode to learn how to dial in the EQ on group vocals, add dimensions and realism, and make use of the famous 'Pultec trick', using some of Joe’s favorites like AMEK EQ200, Lindell TE-100, Maag EQ4, and the Bettermaker EQ232D! Read more: 🤍 🤍 Download a FREE 14-day fully-functional trial NOW! 🤍 ADDED TO THE MEGA BUNDLE AT NO EXTRA COST! 🤍 #PluginAlliance #MegaBundle Subscribe to our YouTube channel: 🤍 Follow us on: Instagram: 🤍 Facebook: 🤍 Plugin Alliance empowers world-renowned analog hardware companies with a digital strategy and provides software developers with services that allow them to develop products with increasing quality and quantity. We invite all developers, engineers, and artists to join our fast-growing community. For more information, visit our website: 🤍
This video is so short I recommend just watching it rather than reading about it :) Listen with headphones for best audio quality. Here's a link to my Medium article with more information on how to do this yourself. 🤍